Andra McCartney has been, since the mid 1990s, developing an approach to the creation of electroacoustic soundwalk art which integrates audience responses into the creative development of walks and installations. Through her background in ethnomusicology, communication, and cultural studies, she thinks and writes about electroacoustic, sound art and sound recording fields as cultures, considering what kinds of interpretive routines are acceptable within these disciplines, and how aesthetic and professional discourses are established. She transforms soundwalk recordings into interactive installations. Her present project, Soundwalking Interactions, focuses on the experiences of audiences with different kinds of soundwalk activities. Source: Academia.edu.
Andrasound's Channel Contains numerous short videos related to her research and soundwalk interactions.
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